Over the course of decades, Princess Anne has rightly earned a reputation for stylish thrift with her regular recycling of outfits.

The Princess Royal will happily appear in trusty favourites – some of which are older than her children – at high-profile events.

But the woman who has played a key role in Anne’s fashion choices since the 1990s is far more elusive than her famous boss.

Veronica Cain, Anne’s live-in dresser, was honoured last month in the King’s birthday honours list – with a Bar to her existing Royal Victorian Order medal.

Although no images of her are publicly available, Ms Cain certainly makes an impression through the medium of Anne’s public outings.

Cain has not only dressed the Princess Royal with impeccable taste but has also cultivated a style that resonates across generations, including the discerning Gen Z and the ever-evolving TikTok crowd.

Veronica Cain’s journey with the Princess Royal began more than three decades ago.

At Gatcombe Park, Anne’s 730-acre country home, each of her outfits is meticulously catalogued, dust-wrapped and stored in cool surroundings, together with its matching accessories, to ensure they stand the test of time.

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Veronica Cain, Anne’s live-in dresser, was honoured last month in the King’s birthday honours list – with a Bar to her existing Royal Victorian Order medal. Although no images of her are publicly available, Ms Cain certainly makes an impression through the medium of Anne’s public outings. Above: Anne at the Cheltenham Festival in 2012 in a green coat, jaunty hat and slouchy boots. The outfit has since been seen on three further occasions

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Anne redesigned the sleeves of this dress which was first seen at the 1984 Baftas to make the gown a little less ’80s for the Save the Children Festival of Trees at London’s Natural History Museum in 2000

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The Princess Royal recycled this skirt suit for the VJ Day Commemoration in 1995. She had previously wore it to Sarah Chatto’s wedding in 1994 and at Royal Ascot in 1989

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At the Trust for Carers dinner in East London in 2003, Anne made a statement in royal blue. She stunned in this printed co-ord, adding extra glamour with a sapphire choker

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Princess Anne chose a preppy gingham pattern for Royal Ascot in 2017, tying in the colours with white gloves and a navy skirt

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The classic lines and colour palette of this cream and navy coat make it another springtime favourite of Princess Anne’s that she’s worn throughout the decades. First seen in 1980, and then three further times before the Commonwealth Day service in 2018 (above)

By blending timelessness with contemporary trends, Ms Cain has ensured that Anne’s wardrobe is not only appropriate for her royal duties but also engaging to a younger audience.

Thanks to Ms Cain’s expert styling, Anne’s bold colours, tailored silhouettes, and vintage-inspired prints are often met with widespread acclaim.

It is a winning formula when paired with Anne’s whirlwind approach to royal engagements.

Equally, Ms Cain will have a key role in Anne’s admirable recycling of outfits, some of which she first wore in the 1970s.

When asked about her habit of recycling, Anne once said: ‘A good suit goes on for ever.

‘If it is properly made and has a classic look, you can wear it ad infinitum. The economy was bred into me.’

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Princess Anne looked positively regal at a Holyrood House garden party in 1993, stepping out in a printed two-toned purple dress and matching wide-brimmed hat

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This Maureen Baker beige skirt suit with a patterned blazer was a mainstay in Princess Anne’s ’80s and ’90s wardrobe. She wore it to Royal Ascot in 1988 and 1994 before deploying it again in 1995 (above) to mark VE day

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Walking the red carpet in 1997 dressed as a Hollywood screen starlet, the Princess Royal wrapped a cashmere shawl over her cream jacquard gown and accessorised with white gloves

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It was Easter blues for Anne in 2018 when she perfectly co-ordinated her wool coat with her fedora hat and bag

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Anne opted for a neutral colour palette at Royal Ascot in 2018, wearing an old favourite coat which has made many appearances over the years

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You will recognise this purple-and-green floral number which Princess Anne chose for a garden party at Buckingham Palace in 2015, as it was first seen at Kate and William’s wedding in 2011

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A timeless staple, this pale yellow double-breasted bespoke coat by British designer Susan Small has seen Princess Anne through four decades. She first wore it toTrooping the Colour in 1980 and most recently at Royal Ascot in 2015

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Anne’s ensemble for the Nelson Mandela Tribute in 2013 was a masterclass in layering. A wool scarf was wrapped around a coat of the same tone, with another scarf tied at her neck and secured with a brooch

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Shimmering in a full length skirt and co-ordinating jacket, the princess added glamour to her 2011 Olympic Ball look with an abundance of glittering diamonds matching the podium perfectly

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Another favourite recycled frock, this yellow dress with matching bolero was seen at a Buckingham Palace Garden Party in 2011, following a previous appearance at Royal Ascot

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Attending the Henley Royal Regatta in 2010, the perfectly placed bow on Anne’s jacket nips her in at the waist for an elegant silhouette

Cain’s talent lies not just in her ability to select statement outfits but in her skilful reworking of Anne’s classic pieces.

But she will also ensure that, when re-wearing, Anne will often pair the same jewellery and shoes with the look as she did when previously wearing the look.

This versatility is a hallmark of Cain’s approach, ensuring that Anne is always appropriately dressed without compromising on style.

The honour from the King is not just a recognition of Cain’s professional achievements but also a testament to the close bond she shares with Princess Anne.

Over the years, their relationship has evolved from a professional partnership to a deep friendship, built on mutual respect and trust.

HOT NEWS: 

HOT NEWS: ARTHUR EDWARDS REVEALS THAT KING CHARLES KICKED MEGHAN MARKLE OUT OF THE HOUSE AFTER DISCOVERING SHE USED A DOLL TO IMPERSONATE ARCHIE: “HOW DARE SHE DECEIVE!”

Hot news: Arthur Edwards reveals that Prince Charles kicked Meghan Markle out of the house after discovering she used a doll to impersonate Archie: “How dare she deceive!”

The arrival of Archie, Meghan Markle and Prince Harry’s eldest child, was deemed a disaster for the press by a royal photographer. Breaking with a long-standing royal tradition, the Sussexes opted out of the customary photo shoot on the steps outside London’s private Portland Hospital following Prince Archie’s birth on May 6, 2019. It wasn’t until two days later that photographers finally captured the first glimpse of the royal baby during a photocall at St. George’s Hall in Windsor Castle.

During an interview with The Sun’s Royal Exclusive, British photographer Arthur Edwards, known for his decades-long work capturing the Royals, criticized Prince Harry and Meghan Markle for stage-managing their son’s birth according to their preferences rather than adhering to the postpartum tradition believed to have originated with Princess Anne in the 80s.

“The whole thing was just stage-managed to suit them,” Edwards claimed about Archie’s birth. The well-known Sun photographer suggested that the press was given incorrect information about when Markle had gone into labor and given birth. “Archie was almost teething before we found out he was born, you know,” Edwards sarcastically told host Matt Wilkinson. “We were led to believe that she’d gone into labor at 2:00 when the baby had been born many hours earlier. We were led to believe it was going to be a home birth and it was in a hospital.”

According to Page Six, Markle had originally planned to give birth to Archie at their then-UK home, Frogmore Cottage, with the help of an all-female midwife team. However, when her son was a week overdue, doctors advised the former Suits star to go to the hospital and deliver there.

Twitter is buzzing with speculation that Lilibet and Archie might not be real, with some suggesting that other mothers are lending their children for photo opportunities. A YouTube video drawing over 77,000 views suggests that Archie could actually be a lifelike doll. On The Daily Empress YouTube channel, a video titled “Meghan Markle’s Fake Baby Exposed” has garnered tens of thousands of views. The channel presents the notion that baby Sussex is a doll, citing resemblances to doll-like features as evidence.

Another point of contention is that baby Archie appeared motionless in Prince Harry’s arms during the photo op, leading some to conclude that it must be a fake baby. Many viewers echoed this sentiment, with one royal fan commenting that Harry was holding a doll during the photo op, with Meghan allegedly strategically positioning herself to obscure the baby’s face from the camera.

In response to such speculation, others noted stark differences between videos of the Waleses introducing their newborns and Meghan and Harry introducing Archie. Observers pointed out that the Waleses’ babies were visibly active and the parents appeared relaxed, whereas Archie seemed inert, with Meghan showing discomfort and Harry holding onto him tightly. Building on this observation, others remarked that newborns typically move and make noise, unlike the seemingly still Archie.

Some even questioned the timing of Archie’s birth, suspecting that Harry’s comment in an interview indicated that Archie was actually two weeks old at the time of the introduction. During the interview, Harry’s response to a question about Archie’s appearance fueled speculation further. His diplomatic reply, suggesting that babies change rapidly and it’s difficult to determine resemblance early on, was interpreted by some as a slip-up revealing Archie’s true age.

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LYNN CARRATT REVEALS WHY MEGHAN’S SERIES OF SCANDALS ARE BACK AND CALLS HER ‘HYPOCRITICAL’

Lynn Carratt reveals why Meghan’s series of scandals are back and calls her ‘hypocritical’

Meghan Markle has faced criticism for “hypocrisy” following the launch of her new luxury brand, American Riviera Orchard.

PR expert Lynn Carratt from PressBox PR commented that the brand’s introduction, featuring a video of Meghan in her high-end kitchen, may not resonate with the general public. Carratt questioned the affordability of the products and highlighted the inconsistency between Meghan’s advocacy for the underprivileged and her promotion of luxury items

Carratt noted “You can’t one minute be championing the underprivileged and then the next minute standing in your luxury kitchen wearing designer togs and selling luxury homemade products. Despite the criticism, Carratt did not believe Meghan was directly exploiting her royal title for the prand. emphasizing that the brand reflects her current iifestyle in Montecito, often cailed the American Riviera.

The brand aunch is also expected to coincide with a ne.v Netflix cookery show featuring Meghan, where she will showcase and seli her own products.